Spring in Washington means cherry blossoms. A few days ago, it was in the seventies here in Washington, DC. My bulbs began to poke timidly out of the ground, and one of my cherry trees blossomed open, even while the buds on its more cautious yard mates stayed firmly closed.
Sadly, caution may have been wiser — our temperatures dipped down into the thirties last night and we could have snow this weekend. Cherry blossoms are fragile, and I’m afraid our intrepid early blooms won’t last.
Washington’s most famous cherry trees — those that line the Tidal Basin — were a gift from Japan, and this spring my thoughts have turned frequently to Japan for many reasons. Just a day or two before the horrible earthquake and tsunami, I started working on another Japanese sweater pattern. I love Japanese patterns because they are so beautiful and unusual. And I love how even the most complex patterns are reduced to a few charts that experienced knitters can follow without speaking a word of Japanese.
The cardigan I’m knitting is by Hitomi Shida, and was published in the Let’s Knit Series (Couture Knit 12: Adult Luxury Knits).
I’m knitting it in Blue Sky Alpaca’s Royal Alpaca in the color Cameo. I’m working it in one piece to the armholes. It’s not a difficult pattern, but there is patterning on the wrong and right sides so I have to pay some attention. I started with a provisional cast on in waste yarn, which is why there is a white “border.” The collar, button bands, and hem are knit at the end in one piece. At least I think they are. I’ll worry about that after I finish the body and sleeves.
The other object in the photo is a pair of Japanese scissors that I bought when I was in Minneapolis visiting Susan. (They came from Bella Lana.) They are a wonderful marriage of beauty and function: very pretty, but also very sharp.